FSA’15 Awards

FSA ’15 closed on 22 November, amidst a crowd of 400 people. The three person jury announced the award winning films of the year.

  1. The Ram Bahadur Trophy – A Walnut Tree by Ammar Aziz (Pakistan)
  2. Runner Up Award – Blood Leaves Its Trail by Iffat Fatima (India)
  3. The Tareq Masud Award – On and Off the Records by Pratik Biswas (India)
  4. The Kathmandu Post Award for Best Student Film- Tyres by Kyaw Myo Lwin (Myanmar)
  5. The UNICEF Award – Drawing the Tiger by Amy Benson & Ramyata Limbu (Nepal)

Jury Citation

The Kathmandu Post award for Student Film goes to Tyres by the Myanmar filmmaker Kyaw Myo Lwin. The award carries a citation and cash award of 500$.

‘ The marginal existence in urban Mynmar/Burma in various hues of grey and black makes this film a statement about cycle of life, dignity and spirit of life.’

The Unicef award for the best film on Children’s issues goes to Drawing the Tiger. A film made by Amy Benson, Scott Squire and Ramyata Limbu —the award carries a cash component of $1,000

‘The film captures the lacunae in our systems to provide quality education to rural and marginalised section in a layered manner. It also brings out the limitations of philanthropy when the larger socio-economic model is not geared to provide the emotional space for aspiring children.’

The Tareq Masud Award for the best debut film goes to “On and off the records” by Pratik Biswas. This award carries a cash component of 1000$.

‘The film captures the interplay between the classical tradition and the recording technology and its role in taking the classical music outside the confines of the court and the rich households. It had a fine balance between an eye for historical details and an ear for musical nuances.’

The Jury Award for the Runner Up goes to Iffat Fatima’s Blood leaves its trail. This prize carries a cash award of 1000$.

‘A sustained and relentless documentation of the human rights conditions in Kashmir spread over a period of nine years is captured in a form of memoirs, reflections and personal stories.’

And, finally, the Ram Bahadur Trophy goes to “A Walnut Tree” by Ammar Aziz. This award carries a cash component of 2000 $.

‘A poetic portrayal of a sense of loss and displacement under the shadow of gun and radicalisation. The camera never becomes a voyeur but retains its gaze of compassion, understanding and shared values.’

 

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  • ‘The Running Hawker’: Shot over a period of three years, the film follows the lives of running hawkers on the trains of South Bengal in India. These hawkers belong to that overwhelming majority of India’s working population (over 90%) who are frequently described as ‘informal’. This informality is constituted by a state of suspension in the zone between legality and illegality. The film attempts a presentation of the question of the hawkers’ livelihood at a time when the world of commodity trade is increasingly moving to bigger sites of supermarkets and malls in India. #fsa2017 #film #documentary #festival #southasia

    filmsouthasia: "‘The Running Hawker’: Shot over a period of three years, the film follows the lives of running hawkers on the trains of South Bengal in India. These hawkers belong to that overwhelming majority of India’s working population (over 90%) who are frequently described as ‘informal’. This informality is constituted by a state of suspension in the zone between legality and illegality. The film attempts a presentation of the question of the hawkers’ livelihood at a time when the world of commodity trade is increasingly moving to bigger sites of supermarkets and malls in India. #fsa2017 #film #documentary #festival #southasia"
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  • The festival is getting closer! Film Southasia Director Mitu Varma was interviewed today on the upcoming event and the soon-to-be-released schedule. Stay tuned. #fsa2017

    filmsouthasia: "The festival is getting closer! Film Southasia Director Mitu Varma was interviewed today on the upcoming event and the soon-to-be-released schedule. Stay tuned. #fsa2017"
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  • ‘The Colour of My Home’: No sting, no expose', no scoop on why/how/who engineered the pogrom…just an attempt to understand what it means to be uprooted and then "rehabilitated". What does it take to "move on" after a violent displacement? How do you explain a new home to your child? To live with the tag, "IDP" or "Internally Displaced Person", as described in official parlance? How do you reclaim citizenship in times such as these? #fsa2017 #festival #film #documentary #southasia

    filmsouthasia: "‘The Colour of My Home’: No sting, no expose', no scoop on why/how/who engineered the pogrom…just an attempt to understand what it means to be uprooted and then "rehabilitated". What does it take to "move on" after a violent displacement? How do you explain a new home to your child? To live with the tag, "IDP" or "Internally Displaced Person", as described in official parlance? How do you reclaim citizenship in times such as these? #fsa2017 #festival #film #documentary #southasia"
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  • ‘The Cinema Travellers’: A Cannes prize-winning film, this is a journey with the traveling cinemas of India, which bring the wonder of the movies to faraway villages annually. Seven decades on, as their lorries and cinema projectors crumble and film reels become scarce, their audiences are lured by slick digital technology. Filmed over five years, The Cinema Travellers accompanies a shrewd exhibitor, a benevolent showman and a maverick projector mechanic who bear a beautiful burden – to keep the last traveling cinemas of the world running. The film has won ten national and international awards. #fsa2017 #film #festival #documentary #southasia #cannes

    filmsouthasia: "‘The Cinema Travellers’: A Cannes prize-winning film, this is a journey with the traveling cinemas of India, which bring the wonder of the movies to faraway villages annually. Seven decades on, as their lorries and cinema projectors crumble and film reels become scarce, their audiences are lured by slick digital technology. Filmed over five years, The Cinema Travellers accompanies a shrewd exhibitor, a benevolent showman and a maverick projector mechanic who bear a beautiful burden – to keep the last traveling cinemas of the world running. The film has won ten national and international awards. #fsa2017 #film #festival #documentary #southasia #cannes"
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  • ‘The Books We Made’: Inspired by the work of Urvashi Butalia and Ritu Menon, who co-founded the first feminist publishing house in India: Kali for Women, the film is about the joy and pain of surviving in two non-lucrative professions: that of writing for small, discerning audiences, and that of publishing, translating and promoting work barely known outside its own linguistic region in India. It looks back on thirty years in publishing and focuses on the feminist politics and friendships that make this survival possible. #fsa2017 #film #documentary #southasia #festival

    filmsouthasia: "‘The Books We Made’: Inspired by the work of Urvashi Butalia and Ritu Menon, who co-founded the first feminist publishing house in India: Kali for Women, the film is about the joy and pain of surviving in two non-lucrative professions: that of writing for small, discerning audiences, and that of publishing, translating and promoting work barely known outside its own linguistic region in India. It looks back on thirty years in publishing and focuses on the feminist politics and friendships that make this survival possible. #fsa2017 #film #documentary #southasia #festival"
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  • ‘Sri Lanka, ghosts of war (Sri Lanka, les fantômes de la guerre)’: Seven years after the end of the civil war in Sri Lanka, French journalist Vanessa Dougnac travels through the North of the country searching for testimonies and remains of the conflict. Thousands of civilians were estimated killed in the last months, when the Sri Lankan army launched its final offensive to crush the Tamil Tigers. The documentary tells about the mechanism of a so-called war on terror. It offers the victims the possibility to go against the official version of a perfectly-led military operation, and speak about their own dreadful experiences. #fsa2017 #film #documentary #festival #southasia

    filmsouthasia: "‘Sri Lanka, ghosts of war (Sri Lanka, les fantômes de la guerre)’: Seven years after the end of the civil war in Sri Lanka, French journalist Vanessa Dougnac travels through the North of the country searching for testimonies and remains of the conflict. Thousands of civilians were estimated killed in the last months, when the Sri Lankan army launched its final offensive to crush the Tamil Tigers. The documentary tells about the mechanism of a so-called war on terror. It offers the victims the possibility to go against the official version of a perfectly-led military operation, and speak about their own dreadful experiences. #fsa2017 #film #documentary #festival #southasia"
    5
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  • ‘Soz - A Ballad of Maladies’: Of folk, rock and hip-hop, this documentary captures the rhythm and blues of resistance in Kashmir valley. It is a portrait of those musicians and artists who have turned their art into weapons of resistance during periods of heightened state repression and violence in the region. #fsa2017 #festival #film #documentary #southasia

    filmsouthasia: "‘Soz - A Ballad of Maladies’: Of folk, rock and hip-hop, this documentary captures the rhythm and blues of resistance in Kashmir valley. It is a portrait of those musicians and artists who have turned their art into weapons of resistance during periods of heightened state repression and violence in the region. #fsa2017 #festival #film #documentary #southasia"
    14
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  • ‘Shepherdess of the Glaciers (La Bergere Des Glaces)’: Way up in Ladakh—at 16,500 feet, somewhere in the Gya-Miru Valley—lives a shepherdess with a flock of 250 sheep and pashmina goats on a huge deserted rock-strewn mountain. Over a year, Tsering shares with us her lonely life among animals in an extreme environment. In spite of these tough conditions, she shows an astonishingly strong spirit. She preserves a traditional ecological way of living. But for how long ? #fsa2017 #festival #documentary #southasia #film

    filmsouthasia: "‘Shepherdess of the Glaciers (La Bergere Des Glaces)’: Way up in Ladakh—at 16,500 feet, somewhere in the Gya-Miru Valley—lives a shepherdess with a flock of 250 sheep and pashmina goats on a huge deserted rock-strewn mountain. Over a year, Tsering shares with us her lonely life among animals in an extreme environment. In spite of these tough conditions, she shows an astonishingly strong spirit. She preserves a traditional ecological way of living. But for how long ? #fsa2017 #festival #documentary #southasia #film"
    8
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  • ‘Save Gangamaya’: Ms. Gangamaya Adhikari and Mr. Nanda Prasad Adhikari, a couple from Gorkha (Nepal) sat on a hunger protest in front of the Prime Minister’s residence, demanding justice for the 2004 murder of their teenage son Krishna Prasad Adhikari. They were forcefully admitted at Bir Hospital, however on September 22, 2014, Nanda Prasad breathed his last at his 333 days of hunger protest. On October 19, 2014, the Nepali government promised justice to Gangamaya and ended her 359 days of fast-unto-death. However, justice has not yet been served, and despite her very weak and deteriorating health Gangamaya once again begins her indefinite hunger protest. #fsa2017 #festival #film #documentary #southasia

    filmsouthasia: "‘Save Gangamaya’: Ms. Gangamaya Adhikari and Mr. Nanda Prasad Adhikari, a couple from Gorkha (Nepal) sat on a hunger protest in front of the Prime Minister’s residence, demanding justice for the 2004 murder of their teenage son Krishna Prasad Adhikari. They were forcefully admitted at Bir Hospital, however on September 22, 2014, Nanda Prasad breathed his last at his 333 days of hunger protest. On October 19, 2014, the Nepali government promised justice to Gangamaya and ended her 359 days of fast-unto-death. However, justice has not yet been served, and despite her very weak and deteriorating health Gangamaya once again begins her indefinite hunger protest. #fsa2017 #festival #film #documentary #southasia"
    14
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  • ‘Satisal In Inferno (Dadelo Bhitra ka Satisaal)’: A tribute to singers, who, against all odds, have been lending their voices to marginalized underdogs in Nepal for over 50 years. #fsa2017 #film #documentary #festival #southasia

    filmsouthasia: "‘Satisal In Inferno (Dadelo Bhitra ka Satisaal)’: A tribute to singers, who, against all odds, have been lending their voices to marginalized underdogs in Nepal for over 50 years. #fsa2017 #film #documentary #festival #southasia"
    14
    0